It's not going to come as a shock that I'm perfectly ok with the end of Dollhouse. Part of me wishes they'd not show the remaining episodes (which they plan to burn out as filler, two at a time, later in the year) because the most recent one was such an excellent indictment of the series premise.
In 'Belonging' the spotlight is handed over to the more talented, but less marketable, Dichen Lachman. Her charcter's real name, Priya, is revealed as well as the rest of her backstory. In season one we learned that Sierra (Priya) was actually placed in the Dollhouse by a spurned lover so she could both be raped at will and punished for her rejection of him. (How anyone remained in denial over the disease at the center of Dollhouse's premise after that...) Anyway, in Topher's view he saved Priya from a serious mental illness.
Encapsulating the episode, no, he did not. What happened was a woman rejected a powerful man, that man took revenge by harming her, she was unable to convince anyone she was being harmed, and another powerful man forced her into sexual slavery, aided by a powerful woman who thinks she is somehow about those around her because she 'looks after' her slaves. Truth blows the illusion of the Dollhouse to hell.
Adele is confronted about the truth of what they do by her boss, who reminds her that failing to comply can mean - well - he's vague, but Adele knows what sort of nasty things she's done and she can extrapolate. She she agrees to place Priya in permanent servitude to her rapist. Topher finally pays attention to something other than himself and realizes what he's done. He sets Priya free. Once freed, she kills her rapist. This leaves Boyd and Topher with the task of dismembering and dissolving the body, then placing Priya back in slavery because 'they will kill her' or 'she can't live with what she's done' or 'she needs to be with the wildly talented Enver Gjokaj', take your pick. All of them mean 'contract isn't up'
The bottom line, the raped (given the choice) chooses to kill rather than be raped again, and those who have supported the rapists are shown to be profiteering and empty shells of humanity unable to accept that they are very bad people, indeed. This, as a season opener, might have been a show. As a series ender, it certainly would work as a repudiation of a deeply flawed core concept that went unexamined too long. To have it as a midway point in a miracle season was well and good, but suggests that they didn't understand what they were setting up until it was too far to admit it. I think Dollhouse was redeemable, but I don't know that Joss Whedon was the man to redeem it. Perhaps if he handed the entire package over to Marti Noxon and got out of the way?
But we live in a world where our daughters and ourselves are more sexual commodities than people.